Title: Hontoka. / Client: Akihisa Hirata Architecture Office (Japan) / Time: 4 minutes 02 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 2 days / Post…
Title: teamLab Kyoto Biovortex / Client: teamLab Architects (Japan) / Time: 2 minutes 06 sec / Format: 4K H264 / Camera Use: Canon R5C Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 1/2 days / Post …
Title: Zenbu Koko by Kengo Kuma and Associates / Client: All Here (Switzerland) / Time: 4 minutes 10 sec / Format: 4K H264 / Camera Use: Canon C70 & R5C Cine Camera / Director and Editor: Vincent Hecht /…
Title: Calvin Klein Harajuku Flagship Store / Client: PVH (Japan) / Time: 1 minutes 12 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Camera Assistant: Joji Kurosawa …
Title: Netherlands Pavilion at the Osaka Expo 2025 (Director’s Cut) / Client: Tellart (Netherlands) / Time: 2 minutes 22 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / …
Title: Philippines Pavilion at the Osaka Expo 2025 / Client: Tellart (Netherlands) / Time: 2 minutes 23 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / …
Title: Abu Dhabi Phenomena / Client: teamLab Architects (Japan) / Time: 2 minutes 10 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 2 days / Post-production Time: 4 days
Title: Musashino Art University Library / Client: Utzon Center (Denmark) / Time: 4 minutes 03 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Assistant: Yohei Okada / Shooting Time: 1/2 days / Post-production Time: 3 days /
Title: Shiroiya Hotel / Client: Utzon Center (Denmark) / Time: 3 minutes 55 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Assistant: Yohei Okada / Shooting Time: 1/2 days / Post-production Time: 3 days /
Title: Olive Lounge Shibuya / Client: Klein Dytham Architecture (Japan) / Time: 1 minutes 56 sec / Format: 4k H264 / Director and Editor: Vincent Hecht / Camera Assistant: Joji Kurosawa / Shooting Time: 0.5 day / Post-production Time: 4 days /
Title: The Communground / Client: Klein Dytham Architecture (Japan) / Time: 2 minutes 37 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 1 days / Post-production Time: 3 days /
Title: The Ginza Place / Client: Klein Dytham Architecture (Japan) / Time: 2 minutes 16 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 1 days / Post-production Time: 3 days /
Title: Torino Egyptian Museum Competition Proposal / Client: Kengo Kuma and Associates (Japan) / Time: 2 minutes 17 sec / Format: 1920x1080 H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / 3D Rendering: Kengo Kuma and Associates / Shooting Time: 1/3 days / Post-production Time: 1 weeks /
Title: Athens Archeologic Museum Extention Proposal Presentation / Client: Kengo Kuma and Associates (Japan) / Time: 2 minutes 13 sec / Format: 1920x1080 H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / 3D Rendering: Observation / Shooting Time: 1/3 days / Post-production Time: 2 weeks /
Title: High Courtyard House / Client: Takuro Yamamoto (Japan) / Time: 1 minutes / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 1 days / Post-production Time:3 days /
Title: Campo di Marte 2026 Competition Proposal / Client: Kengo Kuma and Associates (Japan) / Time: 2 minutes 57 sec / Format: 1920x1080 H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / 3D Rendering: Kengo Kuma and Associates / Shooting Time: 1/3 days / Post-production Time: 1 weeks /
Title: The Yanakacho House / Client: KACH (Japan) / Time: 1 minutes / Format: 1080p H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 1 days / Post-production Time: 3 days /
Title: The Music Hall in the Sky / Client: Takuro Yamamoto Architects (Japan) / Time: 1 minutes / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 1 days / Post-production Time:3 days /
Title: Shenzhen Opera House Competition Proposal / Client: Kengo Kuma and Associates (Japan) / Time:4 minutes 48 sec / Format: 1080x1080 H264 / Director and Editor: Vincent Hecht / 3D Rendering: SAN & Brick Visual / Post-production Time: 2 weeks /
Title: Shenzhen Maritime Museum Competition Proposal / Client: Kengo Kuma and Associates (Japan) / Time: 3 minutes 34 sec / Format: 1080x1080 H264 / Director and Editor: Vincent Hecht / 3D Rendering: SAN / Post-production Time: 2 weeks /
Title: T Site Daikanyama / Client: Klein Dytham Architecture (Japan) / Time: 2 minutes 16 sec / Format: 4K H264 / Camera Use: Canon C70 Cine Camera / Director and Editor: Vincent Hecht / Shooting Time: 1 days / Post-production Time: 3 days /
Title: Ikigai / Client: Opulent Development (Singapore) / Time: 3 minutes 06 sec / Format: 1920x1080 H264 / Camera Use: Sony Alpha7 III / Director and Editor: Vincent Hecht / CG Rendering : VMW / Shooting Time: 1/3 days / Post-production Time: 3 days /
Title: The Kita Presentation Video / Client: Westbank Corp (Canada) / Time: 4 minutes / Format: 1920x1080 H264 / Camera Use: RED Dragon 5K / Director and Editor: Vincent Hecht / Director of Photography: Hans Bobanovits / Shooting Time: 3 days / Post-production Time: 2 weeks /
Title: The Avior Presentation Video / Client: Westbank Corp (Canada) / Time: 3 minutes 37 sec / Format: 1920x1080 H264 / Camera Use: RED Dragon 5K / Director and Editor: Vincent Hecht / Director of Photography: Hans Bobanovits / CG Rendering: Hayes Davidson / Shooting Time: 1/2 days / Post-production Time: 2 weeks /